I am delighted to have a poem in the October issue of The Lake. Many thanks to the editor, John Murphy. You can read my poem here.
Thanks, Tim Buck.
When I encounter a poem with lines having a subtle quality of chant, I’m able to leave the ordinary behind for a little while. Ezra Pound was a master of lifting words on arcs of phrases, and this characteristic levitation of language made his poems extraordinary. That’s about form.
Pound respected poetry enough that he also wrote toward heightened substance. The quotidian — the personal fret, the plodding rumination — was brushed aside. In its place, were image-ideas floating on rarefied vapors of imagination and aesthetic delirium.
Form and substance. Lines bold beyond the dreariness of poorly disguised prose. Lines wild beyond the registration of prosaic thoughts and everyday experience.
Paul Celan was another poetic master of subtle chant and eccentric vision.
As is the poet Gillian Prew.
Here’s a link to her poem “Sequence after Celan” — Poethead Blog.
In her poem, Prew’s lines call to Celan’s, which answer…
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I am delighted to have a poem published at Poethead, one of my favourite poetry places. Many thanks to the editor, Chris Murray. You can read it here.
I'm pleased to have a small tweet poem at Algebra of Owls. Many thanks to Paul Vaughan and the team. You can read it here.
I was honoured to be one of the poets invited to contribute to this 50th issue of Erbacce Poetry Journal. We were asked to send a poem about something that we are passionate about - my poem is about a dying whale. At the moment I can't find a link to purchase a copy but [...]
I've written a poem for June's Visual Verse. You can read it here.
Could I marry these two sharp silences? These yellow balls that burn in stare and purr beneath deep where the world is simple. Are they cat eyes or a brace of griefs fresh from the hunter’s recreation? Will they say, I do? Two ochre brides with their black faces and their undercurrent of woe. Cat [...]
Another month, another poem at Visual Verse. You can read it here.
I have written a poem for this month's Visual Verse. Ironically, the 1 hour constriction and the image seem to focus me, although I don't know how fond I am of the poem. You can read it here.
I have managed to write my first poem of the year thanks to Visual Verse. The poems haven't been coming for quite a while so hopefully this is a good sign. I'm looking to read some poets new to me this year so I'd be glad to hear recommendations from anyone reading this post. You [...]
she was made of air her song thick as a mud bell sky a bitten blue
I'm very pleased to have a small bird poem, imaginatively titled 'Small Bird Poem', in issue 6 of Zoomorphic Magazine. They've held onto it for quite a while and can be found in my collection, A Wound's Sound (Oneiros Books, 2014). Many thanks to editors, Susan Richardson and James Roberts.
A word in my poem at this month's Visual Verse has somehow gone missing so here is the poem in its entirety. Study in Black Grief-eye dark as the world's mirror fastened in a parcel of bones and velvet. [...]
I am delighted to share two environmental poems by Lesley Quayle. These poems arose from projects she worked on alongside Friends of the Earth and Transport 2000, trying to combat the industrialisation of greenbelt and an AONB. Remember, if you appreciate a poet's work the best support you can give is to purchase their books. You can [...]
Many thanks to Chris Murray for featuring 3 poems from my chapbook, Three Colours Grief, at Poethead. You can read them here. You can buy the chapbook from erbacce-press. If you would like a signed copy and live overseas please contact me first for postage rates. Postage is free to UK.
I'm very pleased to be in possession of copies of my chapbook, Three Colours Grief, published by erbacce-press. If you would like a signed copy please contact me via my email firstname.lastname@example.org. Postage to UK is free. Overseas postage may vary.
I'm very pleased to say that my sales page at erbacce-press has been updated with my new chapbook, Three Colours Grief. Many thanks to editor, Alan Corkish, and to David Wheatley, Marion McCready and Angela Carr for providing the blurbs. If you would like to order a signed copy there will be a slight delay [...]
I am very pleased to have a poem published in the Poems and Pictures section of Mary Evans Picture Library. It is a vast archive of historical illustrations, photographs and art. My thanks to Gill Stoker for inviting me to participate. You can read my poem here.